Born into a family with a strong, radical dissenting tradition in which enterprise and public service were combined, Tony Benn was taught to believe that the greatest sin in life was to waste time and money. Life in his Victorian-Edwardian family home in Westminster was characterised by austerity, the last vestiges of domestic service, the profound influence of his mother, a dedicated Christian and feminist, and his colourful and courageous father, elected as a Liberal MP in 1906 and later serving in Labour Cabinets under Ramsay MacDonald and Clem Atlee. Benn followed in his father's footsteps, becoming one of the most famous and respected figures in modern British politics.

Dare to be a Daniel feelingly recalls Tony Benn's years as one of three brothers experiencing life in the nursery, the agonies of adolescence and of school, where boys were taught to 'keep their minds clean' and the shadow of fascism and the Second World War with its disruption and family loss. This moving memoir also describes his emergence from World War Two as a keen socialist about to embark upon marriage and an unknown political future. The book ends with some of Tony Benn's reflections on many of the most important and controversial issues of our time.

The General Election of 1964 made it obvious that immigration is the most explosive question behind the scenery of English politics today. 

Dark Strangers presents a remarkable and very detailed survey of the relationships between West Indian migrants and the local population of the Brixton area of London. Patterson analyses these relationships in terms of the concept of 'accommodation', which she defines as 'an early phase of adaptation and acceptance in which migrants and local people achieve a minimum modus vivendi'. She concentrates her inquiry on three main areas of association - employment, housing, and social and cultural activities - and, despite the inevitable difficulties of the future, her findings do suggest that eventually migrants will be accepted and at least partially absorbed into the local population. 

A non-white family in a small town in South Africa in the 1950s is affected by that country's segregation laws when the area in which they have their home and their small business is declared `white.' The two daughters of the household, Meena and Yasmin, are at the same time treading hackneyed paths through the tangles of pubescence and adolescence respectively, while their parents--their father classified `Indian' and their mother `Coloured' under the complexities of Pretoria's system of racial classifications--attempt to cope with this disruption to their otherwise comfortable lives.

Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systems—to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.

Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.

A vibrant, hard-hitting and informative collection of essays that sets out to defend Britain's multicultural way of life. The contributors challenge David Cameron and others' assertions that multiculturalism is to blame for dividing society. The best thinkers and writers in politics, academia and activism tackle questions such as 'Has Multiculturalism Failed?' 'The Threat of the English Defence League' and 'Are the White Working Class Excluded?'. This accessible book is a must have for all those who want to celebrate, defend and extend Britain's diverse society.

Desire Caught by the Tail is a farcical play written by the painter Pablo Picasso.

Isolation and community. Restrictions and freedom.

The near future is a militarised state, a fractured continent, and a world in which fascism is resurging following pandemics and climate devastation.

Against this grim backdrop, the characters of Dignity form a deeply diverse resistance movement that brings connection, strength and hope to those who need it most.

This novel can be read on its own or as part of a trilogy, in any order:

Margins and Murmurations

Conserve and Control

Dignity

Poetry by pioneering Dub poet, Linton Kwesi Johnson. Introduced by Andrew Salkey.

What is the function of art in the era of digital globalisation? In Duty Free Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age. What can we do when arms manufacturers sponsor museums, and some of the world's most valuable artworks are used as a fictional currency in a global futures market that has nothing to do with the work itself? Can we distinguish between creativity and the digital white noise that bombards our everyday lives? Exploring artefacts as diverse as video games, Wikileaks files, the proliferation of spam, and political actions, she exposes the paradoxes within globalization, political economies, visual culture, and the status of art production