In My Voice Is My Weapon, David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues.

From the first time he was stopped and searched as a child, to the day he realised his mum was white, to his first encounters with racist teachers – race and class have shaped Akala’s life and outlook. In this unique book he takes his own experiences and widens them out to look at the social, historical and political factors that have left us where we are today. Covering everything from the police, education and identity to politics, sexual objectification and the far right, Nativesspeaks directly to British denial and squeamishness when it comes to confronting issues of race and class that are at the heart of the legacy of Britain’s racialised empire.

'Explores the historical ambiguities and racial complexities of 1920s Paris and describes the short-lived craze that overtook the city when black culture became highly fashionable and a sign of being modern.' 

Travelog, social commentary, and journey to self-discovery, the story of a black Englishman's amazing trek through Dixie to connect with his racial identity In 1997 Gary Younge explored the American South by retracing the route of the original Freedom Riders of the 1960s. His road trip was a remarkable socio-cultural adventure for an outsider. He was British, journalistically curious, and black. As he traveled by Greyhound bus through the former Confederate states, he experienced an awakening. He felt culturally tied to this strange yet familiar place. Though a Briton by birth and the child of emigrants from Barbados, he felt culturally alien in his native land. In Dixie, however, he met African Americans whose racial distinctiveness was similar to his own. To local blacks he looked like a brother, while sounding intriguingly foreign. As he assessed their political rise in the South, he noted too how African American tradition seemed static and unchanged. It was a refreshing whiff of "home." 

Notes Made While Falling is both a genre-bending memoir and a cultural study of traumatized and sickened selves in fiction and film. It offers a fresh, visceral, and idiosyncratic perspective on creativity, spirituality, illness, and the limits of fiction itself. At its heart is a story of a disastrously traumatic childbirth, its long aftermath, and the out-of-time roots of both trauma and creativity in an extraordinary childhood. Moving from fairgrounds to Agatha Christie, from literary festivals to neuroscience and the Bible, from Chernobyl to King Lear, Ashworth takes us on a fantastic journey through familiar landscapes transformed through unexpected encounters and comic combinations. The everyday provides the ground for the macabre and the absurd, as the narration twists and stretches time. Hovering on the edge of madness, writing, it seems, might keep us sane-or might just allow us to keep on living. In Notes Made While Falling, Ashworth calls for a redefinition of the creative work of thinking, writing, teaching, and being, and she underlines the necessity of a fearlessly compassionate and empathic attention to vulnerability and fragility.

James Baldwin's breakthrough essay collection made him the voice of his generation. Ranging over Harlem in the 1940s, movies, novels, his preacher father and his experiences of Paris, they capture the complexity of black life at the dawn of the civil rights movement with effervescent wit and prophetic wisdom.

'A classic ... In a divided America, James Baldwin's fiery critiques reverberate anew' Washington Post

'Edgy and provocative, entertainingly satirical' Robert McCrum, Guardian

'Cemented his reputation as a cultural seer ... Notes of a Native Son endures as his defining work, and his greatest' Time

Since its appearance in Zuccotti Park, New York, in September 2011, the Occupy movement has spread to hundreds of towns and cities across the world. No longer occupying small tent camps, the movement now occupies the global conscience as its messages spread from street protests to op-ed pages to the highest seats of power. From the movement's onset, Noam Chomsky has supported its critique of corporate corruption and encouraged its efforts to increase civic participation, economic equality, democracy and freedom. Through talks and conversations with movement supporters, Occupy presents Chomsky's latest thinking on the central issues, questions and demands that are driving ordinary people to protest. How did we get to this point? How are the wealthiest 1% influencing the lives of the other 99%? How can we separate money from politics? What would a genuinely democratic election look like? How can we redefine basic concepts like 'growth' to increase equality and quality of life for all?

Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organisers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia's Brood span genres - sci-fi, fantasy, horror, magical realism - but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas.

In these writings, one of the outstanding revolutionary leaders of the twentieth century discusses important questions of literature, art, and culture in a period of capitalist decline and working-class struggle. From the vantage point of a leader of the early Soviet republic and then its defender against the political counter-revolution led by Joseph Stalin and his supporters, Trotsky examines the place of art and artistic creation in building a new, socialist society.

What is the future of the Boycott, Divestment, and Sanctions movement directed at Israel? Which is more viable, the binational or one state solution? Noam Chomsky and Ilan Pappé discuss the road ahead for Palestinians and how the international community can pressure Israel to end its human rights abuses against the people of Palestine in this urgent and timely book, a sequel to their acclaimed Gaza in Crisis.