Palestine. For most of us, the word brings to mind a series of confused images and disjointed associations-massacres, refugee camps, UN resolutions, settlements, terrorist attacks, war, occupation, checkered kouffiyehs and suicide bombers, a seemingly endless cycle of death and destruction. A powerful human story, following the life of a young girl from her days in the village of al-Tantoura in Palestine up to the dawn of the new century. We participate in events as they unfold, seeing them through the uneducated but sharply intelligent mind of Ruqayya, as she tries to make sense of all that has happened to her and her family. With her, we live her love of her land and of her people; we feel the repeated pain of loss, of diaspora and of cross-generational misunderstanding; and above all, we come to know her indomitable human spirit. As we read we discover that we have become part of Ruqayya's family, and her voice will remain with us long after we have closed the book.

In The Working Class: Poverty, education and alternative voices, Ian Gilbert unites educators from across the UK and further afield to call on all those working in schools to adopt a more enlightened and empathetic approach to supporting children in challenging circumstances. One of the most intractable problems in modern education is how to close the widening gap in attainment between the haves and the have-nots. Unfortunately, successive governments both in the UK and abroad have gone about solving it the wrong way. Independent Thinking founder Ian Gilbert’s increasing frustration with educational policies that favour ‘no excuses’ and ‘compliance’, and that ignore the broader issues of poverty and inequality, is shared by many others across the sphere of education – and this widespread disaffection has led to the assembly of a diverse cast of teachers, school leaders, academics and poets who unite in this book to challenge the status quo. Their thought-provoking commentary, ideas and impassioned anecdotal insights are presented in the form of essays, think pieces and poems that draw together a wealth of research on the issue and probe and discredit the current view on what is best for children from poorer socio-economic backgrounds. Exploring themes such as inclusion, aspiration, pedagogy and opportunity, the contributions collectively lift the veil of feigned ‘equality of opportunity for all’ to reveal the bigger picture of poverty and to articulate the hidden truth that there is always another way.

Winner of the 2021 Muslim Bookstagram Awards - Best Early Picture Book

Where can you pray when you can’t get to the masjid?

Join Rayan and Amelia as they explore all the places they can pray and just a few places where they can’t. 

With vibrant illustrations and fun rhyming verses, this book is a reminder for all of us that we can find somewhere to pray wherever we are.   

Frantz Fanon's The Wretched of the Earth is a masterful and timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle, and a continuing influence on movements from Black Lives Matter to decolonization. A landmark text for revolutionaries and activists, The Wretched of the Earth is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world.

'Sabrina Mahfouz is a tidal wave of truth swallowing the banks of empire with a torrent of information which will not be damned' Lemn Sissay

'A bold, brave look at the ways imperialism affects us all, from the universally political to the insightfully intimate' Riz Ahmed

'Impossible to put down while you're reading, and impossible to forget about when you've finished' Glamour

Are you not made of Suez silt?
How do we know you won't
shore our boats
by making yourself bigger
than we made you?

Sabrina Mahfouz once sat in a Whitehall interview room and was interrogated about everything from her political leanings to her private life. It was ostensibly a job interview, but implicit in their demands was the unspoken question: as a woman of Middle Eastern heritage, could she really be trusted?

Years later, Sabrina found herself confronting the meaning behind this interrogation, and how it was specifically informed by the British Empire's historical dominance in the Middle East. THESE BODIES OF WATER investigates this history through the Middle Eastern coastlines and waterways that were so vital to the Empire's hold. Interwoven with her own personal experiences, Sabrina combines history, politics, myth and poetry in a devastating examination of this unacknowledged part of Britain's colonial past.

Part history, part polemic and part intimate memoir, THESE BODIES OF WATER is a tapestry of writing that tells the story of Britain's relationship with the Middle East in the most revealing terms.

It’s 1967 in Nablus, Palestine. Oraib loves the olive trees that grow outside the refugee camp where she lives. Olives have always tied her family to the land, as Oraib learns from the stories Mama tells of a home before war. But war has come to their door once more… The story of a Palestinian family’s ties to the land, and how one young girl finds a way to care for her home, even as she says goodbye.

Ahed Tamimi is a world-renowned Palestinian activist, born and raised in the small West Bank village of Nabi Saleh, which became a center of the resistance to Israeli occupation when an illegal, Jewish-only settlement blocked off its community spring. Tamimi came of age participating in nonviolent demonstrations against this action and the occupation at large. Her global renown reached an apex in December 2017, when, at sixteen years old, she was filmed slapping an Israeli soldier who refused to leave her front yard. The video went viral, and Tamimi was arrested. But this is not just a story of activism or imprisonment. It is the human-scale story of an occupation that has riveted the world and shaped global politics, from a girl who grew up in the middle of it . Tamimi's father was born in 1967, the year that Israel began its occupation of the West Bank and he grew up immersed in the resistance movement. One of Tamimi's earliest memories is visiting him in prison, poking her toddler fingers through the fence to touch his hand. She herself would spend her seventeenth birthday behind bars. Living through this greatest test and heightened attacks on her village, Tamimi felt her resolve only deepen, in tension with her attempts to live the normal life of a daughter, sibling, friend, and student.

In Japan, Kei plays Freeze Tag, while in Uganda, Daphine likes to jump rope. While the way they play may differ, the shared rhythm of their days―and this one world we all share―unites them. This genuine exchange provides a window into traditions that may be different from our own as well as mirrors reflecting our common experiences. Inspired by his own travels, Matt Lamonthe transports readers across the globe and back with this luminous and thoughtful picture book.

In early 2019, the craft community experienced a reckoning when crafters of color began sharing personal stories about exclusion and racial injustice in their field, pointing out the inequity and lack of visible diversity within the crafting world. Author Jen Hewett, who is one of a few prominent women of colour in the fibre crafts community, now brings together this book as a direct response to the need to highlight the diverse voices of artists working in fibre arts and crafts. Weaving together interviews, first-person essays, and artist profiles, This Long Thread explores the work and contributions of people of color across the fiber arts and crafts community, representing a wide spectrum of race, age, region, cultural identity, education, and economic class. These conversations explore techniques and materials, belonging, identity, pride of place, cultural misappropriation, privilege, the value (or undervaluing) of craft, community support structures, recognition or exclusion, intergenerational dialogue, and much more.

In the French port town of Calais, the historic home of the lace industry, a city within a city has arisen. This new town, known as the Jungle, is the home of thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has produced this unforgettable book, filled with poignant images--by turns shocking, angering, wry, and heartbreaking.

Weaving into the story hostile comments about the migrants from nativist politicians and Internet trolls, Threads addresses one of the most pressing issues of modern times--making a compelling case, through intimate evidence, for compassionate treatment of refugees and the free movement of peoples. Evans's creativity and